Following an amazing first album, French-American harpsichordist Lillian Gordis continues her journey into the heart of Johann Sebastian Bach's catalogue, now for the French label Artalinna. The number 3 and its multiples guide this new, intensely personal journey. The Partita No. 6 and the English Suite No. 6 (together constituting Bach's supreme achievements in the genre of the French suite) frame six Preludes and Fugues from Book II of The Well-Tempered Clavier, where J. S. Bach imagined some of the most innovative contrapuntal forms of the 18th century. Whimsical, poetic, and above all free-spirited, Lillian Gordis could well shake up your imagination!
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Johann Sebastian Bach (1685-1750)
English Suite No. 6 in D minor, BWV 811
Das wohltemperierte Klavier II, BWV 870-893
Partita No. 6 in E minor, BWV 830
Lillian Gordis, harpsichord [Philippe Humeau, Barbaste, 1999, based on German models]
Recording: Doopsgezinde kerk, Haarlem (Netherlands), 8-12 January 2024
Sound engineering: Aline Blondiau
ATL-A045
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