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This fourth publication by the French pianist Philippe Guilhon-Herbert on the Artalinna label was recorded during the same session as his second Schubert volume, including Sonata D. 959. It sets forth a short history of the art of keyboard playing with three landmark composers, showing the fundamental role that nature plays in the evolution of forms and languages.
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Jean-Philippe Rameau (1683–1764)
Suite in A minor, RCT 1 (Premier Livre de pièces de clavecin, 1706) (extraits : I. Prélude ; V. Gigue)
Suite in A minor, RCT 5 (Nouvelles suites de Pièces de clavecin, 1728) (extrait : II. Courante)
Suite in D major, RCT 3 (Pièces de clavecin avec une méthode pour la mécanique des doigts, 1724) (extraits : I. Les tendres plaintes ; VI. L'entretien des muses ; III. Les soupirs ; II. Les Niais de Sologne)
Franz Liszt (1811–1886)
Consolations (Pensées poétiques), S. 172 - Nos. 1-5
Claude Debussy (1862–1918)
Préludes, Book 1, CD 125 (4 extraits : No. 5. Les collines d'Anacapri ; No. 3. Le vent dans la plaine ; No. 9. La sérénade interrompue ; No. 10. La Cathédrale engloutie)
Préludes, Book 2, CD 131 (2 extraits : No. 4. « Les fées sont d'exquises danseuses » ; No. 12. Feux dartifice)
Philippe Guilhon-Herbert, piano [Steinway D]
Recording: Historischer Reitstadel, Neumarkt in der Oberpfalz (Germany, Bayern), 11-14 February 2014
Sound engineering: Frédéric Briant
ATL-A029
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